Al Jolson MP3, CDs & Vinyl, Music of Al Jolson

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Al Jolson MP3, CDs & Vinyl, Music of Al Jolson

Al Jolson: Overview

Al Jolson: Anglicisation of Asa Yoelson. Al Jolson, byname of Asa Yoelson, (born May 26, 1886, Srednike, Russia [now Seredžius, Lithuania]—died October 23, 1950, San Francisco, California, U.S.), popular American singer and blackface comedian of the musical stage and motion pictures, from before World War I to 1940. His unique singing style and personal magnetism established an immediate rapport with audiences.

At the peak of his career, he was dubbed "The World's Greatest Entertainer." His performing style was brash and extroverted, and he popularized a large number of songs that benefited from his "shamelessly sentimental, melodramatic approach." Numerous well-known singers were influenced by his music, including , , Rod Stewart, and others. Dylan once referred to him as "somebody whose life I can feel." Broadway critic Gilbert Seldes compared him to the Greek god Pan, claiming that Jolson represented "the concentration of our national health and gaiety."

In the 1930s, Jolson was America's most famous and highest-paid entertainer. Between 1911 and 1928, Jolson had nine sell-out Winter Garden shows in a row, more than 80 hit records, and 16 national and international tours. Although he is best remembered today as the star of the first talking picture, The Jazz Singer (1927), he later starred in a series of successful musical films throughout the 1930s. After the attack on Pearl Harbor, he was the first star to entertain troops overseas during World War II. After a period of inactivity, his stardom returned with The Jolson Story (1946), for which Larry Parks played Jolson, with the singer dubbing for Parks. The formula was repeated in a sequel, Jolson Sings Again (1949). In 1950, he again became the first star to entertain GIs on active service in the Korean War, performing 42 shows in 16 days. He died just weeks after returning to the U.S., partly owing to the physical exertion of performing. Defense Secretary George Marshall posthumously awarded him the Medal of Merit.

According to the St. James Encyclopedia of Popular Culture, "Jolson was to jazz, blues, and ragtime what was to rock 'n' roll." Being the first popular singer to make a spectacular event out of singing a song, he became a rock star before the dawn of rock music. His specialty was performing on stage runways extending out into the audience. He would run up and down the runway, and across the stage, "teasing, cajoling, and thrilling the audience", often stopping to sing to individual members; all the while the "perspiration would be pouring from his face, and the entire audience would get caught up in the ecstasy of his performance". According to music historian Larry Stempel, "No one had heard anything quite like it before on Broadway." Author Stephen Banfield agreed, writing that Jolson's style was "arguably the single most important factor in defining the modern musical".

Jolson also enjoyed performing in blackface makeup, a theatrical convention since the mid-19th century. With his unique and dynamic style of singing black music, such as jazz and blues, he was later credited with single-handedly introducing African-American music to white American audiences. As early as 1911, he became known for fighting against black discrimination on Broadway.

Taken to the United States when he was seven years old, Al Jolson was reared in Washington, D.C., where he made his first stage appearance in 1899. He performed with his brother and others in vaudeville before joining Lew Dockstader’s minstrel troupe in 1909. He became a popular New York entertainer and singer, being featured in the musicals La Belle Paree (1911), Honeymoon Express (1913), Bombo (1921), and Big Boy (1925). In Sinbad (1918) he transformed an unsuccessful George Gershwin song, “Swanee,” into his trademark number. And in Bombo he introduced “My Mammy.” The same show included three Jolson favourites: “Toot, Toot, Tootsie,” “California, Here I Come,” and “April Showers.” Some of his biggest successes were achieved at the New York Winter Garden.

In 1927 Al Jolson starred in The Jazz Singer, the first feature film with synchronized speech as well as music and sound effects. The picture revolutionized the motion-picture industry and marked the end of the silent-film era. Other films include The Singing Fool (1928), Say It with Songs (1929), Mammy (1930), Hallelujah, I’m a Bum (1933), Go into Your Dance (1935), and Swanee River (1940). The story of his life was filmed in The Jolson Story (1946) and a sequel, Jolson Sings Again (1949). He also collaborated in the writing of many song hits and was a very popular recording artist.

Al Jolson: CDs & Vinyl

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Al Jolson: MP3

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